The Cocktails and Movies Monday Morning Hangover Report Helps You Remember the Weekend Box Office

Each Monday, The Monday Morning Hangover Report breaks down the past weekend’s box office action – the winners, the surprises, and the stories behind the numbers – with insight that helps you make sense of what moviegoers actually chose to spend their time (and cash) on.

Opening Pour

Welcome back to box office season proper! After a holiday stretch dominated by Avatar: Fire and Ash and long-legged champs like Zootopia 2 and The Housemaid, the first “normal” weekend of January arrived with a mix of holdovers and fresh faces. Avatar stayed comfortably on top in its fourth frame, but original titles like Primate and the newly released Greenland 2: Migration showed that early January isn’t barren – it can be fertile terrain for both genre films and disaster sequels alike.

Top 5 Domestic Films – Weekend of Jan 9–11, 2026

Rank Film Weekend Gross Notes
1 Avatar: Fire and Ash $21.3M Fourth straight weekend at #1.
2 Primate $11.3M Solid original horror debut.
3 The Housemaid $11.2M Strong hold into Week 4.
4 Zootopia 2 $10.1M Still churning numbers late in run.
5 Greenland 2: Migration $8.5M New disaster sequel entry.

Other notables include Marty Supreme ($7.6M) and Anaconda ($5.1M) rounding out the top tier as audience attention spreads across genres.

Highlights & Insights

Avatar Shows Real Legs
Avatar: Fire and Ash continues its dominance with a $21.3M weekend in its fourth weekend, a strong performance for a film so deep into its run. Its sustained draw underscores how blockbuster franchises can become fixture attractions well beyond opening month – especially when global word-of-mouth keeps rolling. And there is nothing else in its way…

Primate Impresses in Horror
Original horror titles rarely break out big without a built-in franchise or recognizable brand – but Primate brought in a solid $11.3M debut. That’s noteworthy for a fresh horror entrant, especially one without decades of fan legacy behind it. It isn’t quite the BO we thought it might be, but still good for January.

The Housemaid Holds Strong
Lionsgate’s thriller has quietly built a respectable run, hovering near ten figures in its fourth weekend. Mid-budget films that sustain like this show there’s still appetite for story-driven fare amidst blockbuster competition.

Zootopia 2 Still Hopping
Even well after the holiday rush, Disney’s animated sequel continues delivering, reminding us how family titles can pair longevity with global appeal.

New Disaster Entry Smashes In
Greenland 2: Migration debuted to $8.5M, a solid start for a sequel in a genre that often plays better internationally than domestically. Mixed reviews may temper some word-of-mouth, but this entry found its niche. But, this is a sequel not needed and headed for streaming soon.

What’s Next – Early 2026 Outlook

  • January’s Bigger Waves Still Coming — While this week’s numbers reflect a healthy mix, the rest of January is poised to ramp up. Fresh releases with awards aspirations, mid-budget dramas, and indie standouts will try to carve space before the next big franchise drops.

  • Creature Feature Momentum — With Primate showing that creature horror can still bite, expect studios to give genre films room to shine in early months — particularly if they can deliver strong critic/audience splits.

  • International Power to WatchZootopia 2 and similar global earners will likely continue to contribute back into the domestic conversation, especially if certifications or re-releases spark renewed interest.

  • Awards Season Influence — As we approach February and the next awards cycles, expect films positioned for Golden Globe and Oscar buzz to use sustained box office traction as leverage — which could shake up the charts in unexpected ways.

Final Pour

This weekend’s box office was a blend of old favorites with new challengers, and while nothing shattered records, there’s a strong pulse to early 2026 theatrical life. Avatar: Fire and Ash continues to carry heavy weight, Primate’s strong debut shows horror still has teeth, and mid-range films are finding space in a market that’s more open than year’s end suggested. Grab a fresh drink – 2026 is already stirring up some good stories. 🍸🍿