Taylor Swift Leaves Everyone Else Behind as We Bring You The Monday Morning Hangover Report
This weekend, Taylor Swift proved she’s not just a chart-topper, she’s a box office force. The Official Release Party of a Showgirl took over theaters with a dazzling $33 million debut in just three days. Meanwhile, One Battle After Another held solid at $11.1 million, The Smashing Machine made a modest splash with $6 million, and family and franchise films rounded out the top tier. It was a weekend where spectacle, fandom, and bold programming ruled.
Top 5 Domestic Films – October 3rd – 5th, 2025
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Taylor Swift: The Official Release Party of a Showgirl — $33,000,000
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One Battle After Another — $11,125,000
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The Smashing Machine — $6,000,170
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Gabby’s Dollhouse: The Movie — $5,200,000
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The Conjuring: Last Rites — $4,050,000
Also notable: Demon Slayer: Infinity Castle dropped to $3,530,000 this weekend.
Highlights & Insights
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Swift’s Surprise Win: Showgirl wasn’t a traditional blockbuster, it was a curated event. But with minimal lead time and limited release, pulling in $33M domestically is a statement about fan power, smart tactics, and theatrical novelty.
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Battle Holds in the Mid‑Tier: One Battle After Another kept its pace, though the drop from its previous week suggests growing competition.
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Smashing Launch, But Not Spectacular: The Smashing Machine opened respectably for a niche, character-driven film, but didn’t break into the big leagues.
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Kids & Horror Steadiness: Gabby’s Dollhouse stayed in family-friendly rotation. The Conjuring continues to deliver, though it’s slipping from the top.
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Is Anime Fatigue Kicking In?: Demon Slayer’s steep slide hints that even strong niche IPs have a limit to how long they can hold audience interest.
What’s Next
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Will Showgirl expand its run or fall off quickly once Swifties have had their day?
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One Battle After Another needs a second wind to stay in the mix, expect marketing plays or word-of-mouth pushes.
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Upcoming releases (like Tron: Ares, Roofman, or others) could challenge this weekend’s front‑runners.
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Watch how family films and mid-tier genre entries adapt in a weekend dominated by an event release.






